Pelu, a lonely projectionist in a dying cinema, loses his home and secretly moves into the theatre after being demoted. He turns it into a nocturnal refuge, hosting homeless friends and renting it to a camgirl, thereby reclaiming a sense of purpose. When his secret is exposed and the cinema closes down, Pelu defiantly breaks in to reclaim his home. A bittersweet ode to seventh art, which is not an escapist gesture, but rather a reminder of the inspiration that comes from togetherness and the essential need for community spaces, especially in times like these under the Milei administration.

Pelu, a lonely projectionist in a dying cinema, loses his home and secretly moves into the theatre after being demoted. He turns it into a nocturnal refuge, hosting homeless friends and renting it to a camgirl, thereby reclaiming a sense of purpose. When his secret is exposed and the cinema closes down, Pelu defiantly breaks in to reclaim his home. A bittersweet ode to seventh art, which is not an escapist gesture, but rather a reminder of the inspiration that comes from togetherness and the essential need for community spaces, especially in times like these under the Milei administration.

Those two would really like to stop and pretty soon they will. 　　The landscape does not have a name as they neither do. 　　This day lasts long, every hour looks like the other and night doesn’t fall. Then they meet two kids with guns, two women that have been lost together inside the same opera and two men that exist separately inside the same music. 　　They are forced to rest. They decide to change roles so they can continue their walk. They lose their image and they find their proper voice. 　　They recall at once everything that happened during that endless day 　　and they give a name to this landscape.

10 hours of paint drying on a wall.

《去死吧！啦啦隊》美國導演克里斯席維森重返金馬奇幻影展的新作《愛的怪物論》，邀來《阿達一族》超酷女孩「星期三」克莉絲汀蕾琪領銜主演，當年鬼靈精怪的少女成了飽受風霜的單親媽媽，帶著兒子遠赴邊陲小鎮重新開始，原以為新生活就要展開，沒想到這次不僅要面對自己的心魔，還要挺身抵抗真正的「怪物」。影片巧妙致敬《迷魂記》與《剃刀邊緣》，更被美國影評譽為對怪物類型電影做出全新的演繹。

《去死吧！啦啦隊》美國導演克里斯席維森重返金馬奇幻影展的新作《愛的怪物論》，邀來《阿達一族》超酷女孩「星期三」克莉絲汀蕾琪領銜主演，當年鬼靈精怪的少女成了飽受風霜的單親媽媽，帶著兒子遠赴邊陲小鎮重新開始，原以為新生活就要展開，沒想到這次不僅要面對自己的心魔，還要挺身抵抗真正的「怪物」。影片巧妙致敬《迷魂記》與《剃刀邊緣》，更被美國影評譽為對怪物類型電影做出全新的演繹。

苏朵儿与李景元这对从校园相恋即将步入婚姻殿堂的情侣的曲折故事。苏朵儿为救李景元意外失明，复明手术成功后却惊觉未婚夫出轨小师妹周若琳。心死如灰的她决定在婚礼揭露李景元和周若琳的奸情，并且当天同时举办一场自己的葬礼假死消失，让李景元自食恶果，同时在葬礼上出现的还有一直追求苏朵儿年下忠犬朱梓睿……

在大学期间，苏蕴然向谢琰白表白了99次，但每次都遭到拒绝。然而，她后来才得知，谢琰白其实早就对她一见钟情，之所以不答应，是因为他想看苏蕴然为他生气、被欺负。苏蕴然在得知真相后，决定不再追求谢琰白，并为了报复他，一边暗示一个月后会进行第100次表白，一边悄悄准备永远离开。然而，谢琰白却满心欢喜地等着她的告白

本片由苏珊娜葛兰特编剧(曾以《永不妥协》荣获奥斯卡提名)，瑞克法穆易瓦(《嘻哈宅男真药命》、《鼠胆三兄弟》)执导，剧情详述具爆炸性的1991年克雷伦斯汤玛士最高法院提名听证会的事件，此事在美国掀起轩然大波，也永远改变大家对性骚扰、受害者权益与今日种族关系的思考方式。